Portrait lighting setup

I my previous post I showed you a few portraits that I’m still working on and Moritz from Germany asked in his comment if I could share my lighting setups.

I decided to show a specific setup for every single one with a scheme and short explanation.


This is three lights setup… a combination of two strobes and a neon light. Strobe on the right side had a small DIY grid attached and I used it to light up a face. A neon light from above was really dimmed so I set the exposure to match it and then I was adjusting my strobes. If I remember well, back strobe was on a half power and strobe with the grid was on 1/4 of a power.



This one is really simple. One strobe with small grid attached and moved far away from subject so I could light up almost a complete figure but without unwanted spill over the scene.



As well as the previous one, simple one light setup. It was hard to match a color balance between strobe and light bulbs so I had to correct it in post production. I used silver bounce umbrella as a light modifier. Light stand was some two meters away from subject and that is why light is a bit harder.



Also a one light setup. Strobe is hidden behind the door and my idea was to mimic a day light coming from the other room.



Two strobes. Back one is bare bulb (without modifier) and front one had small grid attached. Front strobe was hidden behind supporting beam. This tunnel is a very narrow space so I had to be careful with the strobe power. Front one was on the lowest setting (1/16 of a power) and back one was 1/4 of a power.



This is two lights setup but with combination of window light. Front one with a grid and back one bare bulb.



One light. I tried to boost a window light with it.


zlataThis one is also a one light setup and I think it’s self-explanatory. Cca 45 degrees angle.


I’m using two Vivitar285HV strobes. Those are simple manual strobes with decent power. Triggering it with  old but reliable Elinchrom Skyport radio triggers.

Here are some photos of my small grid that I made from a piece of cardboard and few black straws. 

DIY grid

mounted on a Vivitar285HV

hard fall off

On the last image, strobe was set some 1.5 meters from the wall. 

Long live XPro1… welcome XPro2

It is that time of year when I don’t do anything about my blog/portfolio/self-promotion… As I did for past 400 days. But being the best Fuji X photographer in Bosnia (I’ll explain this later) bring some responsibility to all three of my readers to say something about what I did in past few hundred days.

Let’s start with frustration…
imageFeeds on my humble  social networking presence are overwhelmed with new Fuji gear, orgasmic reviews and pixel peeping comparisons. And… I like to read them all. To be honest… some of them for several times. And yes… I’m an XPro1 user… there is a new XPro2… and I need one more camera body… aaaaand it would be great to  get my hands on it… aaaaaaaaand no… my incomes are just no match to it…. Too bad, since I believe we would be a great match.

So… I decided to run one more story about how good my current camera is and to cover last year with some shots since I haven’t put even a word on my blog for more then a year. I wrote some initial thoughts on Fuji XPro1 two years ago here.


You can call me whatever you like… hobbyist, enthusiast, amateur… Photography is a part of my life for more then a half of it (and I’m 36) so you do the math. Occasionally, I do get some paid jobs or some paid assignments but it is impossible to make a living out of it (I have other job which pays my mortgage, taxes, food, gas, kindergarten, some cigarettes, shoes and clothes from time to time…). Ok, my wife has a job too… ok,…. we have a decent life here but… still… as I said… incomes are insufficient when it comes to gear renewal. Last time I did it, I sold out all of my gear that I had and with  some additional savings I managed to purchase a new camera. Why? Because of the mileage of my previous one, because I wanted something lighter and because I needed something more technologically advanced. So I ended up with Fuji XPro1 and it was love at first sight and it still is.

XPro1 is ok but not on par with industry leaders? 

I was slicing my brains out to find some downsides and to make myself more criticizing about it… but without success. Yes… there are some stuff that DSLR purists will say that are more then a good reason to run away from it… (slow focusing, slow sync speed, precision-less OVF, etc.) but at the end… you just get used to it and start to love all the things that you made together. XPro1 is a great companion in every situation you can imagine yourself. At the time Fuji decided to upgrade their flagship model, you don’t feel cheated as most people do when some new technology comes out. At Fujis, new is good but the old one is still keeping up. This is not a praise to  Japan company (I do believe that they are no different than any other in terms of profitability and moneymaking business). Just want to point out that they did a great job back in 2012. On the other side I do think that models like XM1 or XA1 were unnecessary but hey… I’m not a business expert. I still think XPro1 is on par with most newer models made by competition. I have experience with most of them (Canon, Nikon, Olympus, Panasonic…) so my subjective opinion is based on usage and not on web reviews.

How I became THE BEST…

Very simple. You would think that I will probably tell you a story of how hard I was working on building my portfolio, shooting endless assignments, shooting days and nights until my finger cramp… and it is the common story of many of my fellow best photographers around the world, but not in my case.

I just bought the camera no one did in my country… so immediately I became the best X photographer in Bosnia (I’m pretty sure that I’m still the best around here or there are just a few best of us). So… being the BEST here, it gives me the right to ask some sample equipment to test it out from Fuji. Just point me at nearest camera store to pick it up. O wait… there is no camera stores around here. Ok… I’ll talk to your representatives in my country and try to convince them. O shit… yes… you don’t have it here.

My point is that Bosnia is not a market that is interesting not only to Fuji but to many other camera companies. But it would be great at least to have one specialized camera store here where one could go and test some equipment or maybe to rent it and at the end, to buy it. So… all of you dontknowwheretoinvestmymoney people, come to Bosnia, open a camera store and in some short time… you will loose everything, but hey… you’ll have a chance to become THE BEST camera store here ever. 😉

Ok… I lost it a bit. This post could easily become a sobbing confession of how hard life is around here… and how we have crappy politics… and how system of value is distorted and blah, blah,blah….


imageOk… enough with story without any point. Long story short… XPro1 is still a great piece of gear. Since I’m in a process of thinking about additional camera body – it would be great to have a new XPro2 as a main camera but hey… I would be pretty much satisfied with another XPro1 body too. Good ergonomics, decent AF speed (no missing shots in 99%), decent high ISO output (at my standards, even ISO6400 is usable in some situations), good weight-shoulder ratio, 16MP sensor can give a print output of 70x55cm easily… do anyone need more?

Let me show you some images I did recently…


I love slow shutter speeds and how you can create surreal images in some simple and common situations and I noticed that when ever I shoot, no matter what, assignment or personal work… I always do a few slow shutter images.


If you went through my blog archives , you would notice that my work is often based around theatre. Also, I do follow some extreme sport clubs in region so you could find some xsports features… extreme climbing and uphill cycling. I do also a wedding photography from time to time but rarely. I’m an official photographer for Tourist organization of city of Prijedor since this year.



I do consider myself a portrait photographer so here are some of the most recent I’m still working on for Prijedor city theater. They asked me to do some formal portraits of ensemble and I did it. But somehow, wasn’t very satisfied with it so I proposed a bit different approach. Idea is to show a theater that is not visible to majority of people. Old depots, hidden tunnels over the main hall, wardrobes, workshops, etc. And all of thatin form of a portrait. So… this is the result

If somehow you made it to this part of my blog post, I hope it was pretty much clear how XPro1 is more then a capable camera. Sports, weddings, documentary,off camera flash… you name it. Essentially, it is not up to camera… It depends on your imagination and preparation. Any camera would be as good as this one only…. you are makeing a relationship with any camera you are using and… I just think that XPro1 is more then any other generic model (no matter if a lot of them are technically superior) on a market. All the benefits combined with negative issues are creating a unique experience upon no one can be left indifferent.  Long live XPro1… welcome XPro2!!!

Fujixperience and things…

I’m using a Fuji X-pro 1 mirrorless camera for almost a year and I LOVE it. And I HATE it. But then again… I LOVE it!!!

When this camera was released back in 2012, I must admit, I fell for looks of it. That was my firs impression not knowing how it performs. Loved that rangefinder style, compact size and OVF/EVF combo. So… these were my thoughts before I even read some reviews or seen some image samples.

I’ve done my research and Zack, David and Bert (among many others) were convincing enough to decide to purchase one for myself.

Metal lens hood and a Lance strap
Metal lens hood and a Lance strap

First of all, I bought mine at B&H photo (great service, very satisfied with them since I’m living in Bosnia – I’ve got a package just a four days after purchase).

After first ten minutes of looking at the camera and touching it, playing with OVF… (that was the thing I was eagerly awaited for the most – that OVF… but I’ll get there), I realized that lens hood that was provided with a lens I bought (35mm f1.4 Fujinon lens), even if it doesn’t look so bad on a lens has a terrible hood cap (with that kind of lens hood it was impossible to use a lens cap since shape of lens hood attached is square). That lens hood cap was falling off  without any force engaged to it. It was falling off while carrying camera around, putting it in a bag, or if you succeeded to put it in a bag while cap still on a hood it will fall off for sure when you grab your camera out of  the bag. Next day – I bought a metal lens hood with a cap on ebay for a few bucks.

I think, having a small lens hood on every lens will provide you some extra protection against accidental direct hit in a crowd or in narrow spaces.

Next thing I did was to order that great looking (and even better feeling) Lance strap.

OK… enough about fashion… lets talk about photography

I was blown away when I transferred those first test images on my computer. Most of them were low ISO, wide aperture JPGs. I will not post any kind of low ISO – high ISO comparisons –  since there are dozens and dozens of samples over the internet. But… I was a long time DSLR shooter and sincerely was surprised by the quality. I knew that X trans sensor can produce high quality images and I expected a lot since it is an APS-C size senzor… but I didn’t expect that level. Dinamic range of RAW images I took later was even better. I don’t do a lot of PP on my images but it is good thing to know that most of your images will retain a high level of details in both blown or under exposed areas.

Great dinamic range and high level of details
Great dynamic range and high level of details

And… lets HATE it a bit…

Initial firmware on my camera was 1.0.0 or 1.0.x as well as a firmware of a lens. I knew also that AF is an issue that many photographers pointed as drawback from buying a Fuji at all. O man… it was truly bad, shitty and disappointing experience. Camera couldn’t lock focus almost anywhere except in high contrast scenes. I shoot mostly with 1 centered AF point and recomposing. OK… initially… I realized that there is no way I will get that speed I had with a Canon. I tried with multiple AF points but I could’t find a pattern camera was using of how to choose AF point and I just ditched it. Luckily I get used to it very fast. Realized that I have to plan my shot more carefully and also to find more alternative angles or positions in case that AF starts with glass disco. Not long after I bought a camera, Fuji released a firmware update 3.0.0 (and latter 3.0.1) with many improvements concerning AF as well. Situation is much, much, much better now. AF is more precise, focus peaking is improved so you can finally help yourself with manual focus… etc. But still… AF is nowhere close to a MFT or a DSLR camera. But I must say… I never missed focus. I was in a situations when camera hunts a lot but when it locks it is precise.

situations like this are piece of cake for Fuji's AF. A lot of contrasts.
situations like this are piece of cake for Fuji’s AF. A lot of contrasts.

And… that would be all of me hate this camera… or not…

That OVF/EVF combo thing was a true revelation for me. I’m using OVF 99% of time and the greatest feature is to be able to see image you made right after the shot in your viewfinder. I know most EVFs have this feature by default but as I said I’m using OVF most of the time. Why I like it so much? Being able to see beyond my image border line is great and helpful in anticipating your next shot. Since there is no mirror I can see what is going on during the exposure. It’s bright! Downside is that since you are not looking through the lens there is no way to know if your focus is accurate until you take a shot. But it is a learning curve, and it is easy to get used to it. Of course there are very helpful things like double AF point (if you are using single AF point) – one for closer focusing and another for further ones.When your object is somewhere not far away but also not close enough just aim in between those AF points (at least it works for me). Also there is frame line correction since there is parallax involved because your line of sight is different from lens. But there is one thing that is completely useless for me. It’s a focus area scale or zone focusing scale or DoF scale. They made it so narrow on every aperture you choose that it is impossible to rely on it. But I believe it will be possible to correct in next firmware.

Double AF points. Lower one is for focusing at closer distances.
OVF view. Double AF points. Lower one is for focusing at closer distances.

Of course, depending on which lens you are using, you can change frame lines inside your OVF as well as zoom in or out for more or less space on the sides. Using EVF on this camera is unpleasant for me. There are situations when it is needed (while focusing manually or in extreme low light when only thing you can see through OVF is pitch dark). Most of reviews are affirmative to Xpro’s EVF but I still didn’t find a way to like it. Sorry! Lag is present but not intrusive. Maybe if I bought XE1 instead of Xpro1 and maybe if I didn’t looked through OVF I would be satisfied with EVF but… I didn’t.

LCD on the back is beautiful. High resolution, clear and natural colors, sharp enough to see your result.

X Pro 1 has aperture ring on a lens (lenses) and it is very natural and there is no effort at all to get used to it – especially if you have experience with film cameras and older lenses. Exposure dial is on top of the body and you can use it without moving your eye from a viewfinder since you have information you need in it, but still you have to move your finger from a shutter button to change exposure value.

I like to shoot with flash (off camera flash) and I’m disappointed with the flash sync speed (1/160). I managed to get a 1/200 sync but since there is no such value on exposure dial I had to use EVF and change the value through quick menu. Compensation for slow sync speed are great lenses. Because of that, I can use different ND filters (both quality and some cheap ones) to get the desired effect maintaining relatively slow sync speed. (Even for the exposure value of 1/160 you have to cycle through quick menu because exposure dial is classic full stops dial. Thereis no exposure value between 1/125 and 1/250 on a dial. 1/160 is a sync speed according to Fuji’s manual but as I said I did manage to push it to 1/200. I tried also with 1/250 but at that point curtain was visible.)

35mmf1.4 I found it to be great for portraits. Hehehe... like I discovered something new... :)
35mmf1.4 I found it to be great for portraits. Hehehe… like I discovered something new… 🙂

In general, I enjoy using this camera. I have only one lens for it (35mm f1.4). It changed me a lot. During my DSLR period, I was taking a lot more pictures during an assignment and I was using wide angle a lot. I still do love wide angle shots so my next purchase will definitely be a 14mm lens. But now, I shoot lot less images during an assignment. I’m planing more carefully. I think more intensively and I’m stealthier then before . I’m not a wedding photographer by default by I do weddings from time to time (maybe once a year 🙂 ) and last time I did it, I was using this camera backed up with old and reliable Panasonic Lumix GF1 (several images can be found in my previous post). First of all, I noticed that people truly weren’t aware of me at all. I was just a guy with two small cameras going around – no big deal. Even the bride and the groom were suspicious of what kind of result they can expect. At the end, they were VERY satisfied. 🙂

full high res image. Open it and see the amoun of details X trans sensor can produce
full high res image. Open it and see the amoun of details X trans sensor can produce

Fuji X Pro 1 is packed with many more features… like… double exposure, panorama mode, film simulations, hd video, etc. I shoot mostly RAW, even, OOC jpegs are great, I like to punch my photos with contrast a bit in PP. I tried video mode once and… strange, but… I found that GF1 produces much better video then Xpro1 but it was just a marginal test so maybe I was wrong. I almost never shoot video so I truly don’t care about a quality of it.

Fujinon 35mm f1.4 lens is nice piece of glass (and some metal too). It is 53mm focal lenght in terms of full frame so you could say this is a normal fast prime. No distortions at all (at least I didn’t noticed any), so ideal lens for merging photos (panorama or Brenizer kind of stitching). Sharp lens! I’m not a pixel peeper so I don’t care a lot if my lens isn’t razor sharp at 1.4 or reasonably sharp at 2.0 or lacking sharpness on the edges bla, bla, bla…. It is SHARP lens(end of story)!  Only criticism I could address to Fuji concerning this lens is why they didn’t make it similar to Olympus 12mm lens in terms of manual focusing. Both are focus by wire but Olympus made it  stop at minimal focus distance as well at infinity. On Fujinon lens you can turning it endlessly in both direction. But it is not something that should discourage you from buying this lens.

I would like to try other Fujinon lenses on my camera but it seems to be that I’m the only one in Bosnia (and maybe wider) owning this camera (not to mention that there is no way you can buy it here in a camera store or to find a representative of Fuji). If I’m wrong, please let me know.

Vertical panorama made of 7 images
Vertical panorama made of 7 images

Who should buy this camera… Photographers of course! It has everything you need to make great photos – a body, lens mount, sensor and a shutter (ok… maybe you should consider buying an SD card or two… but that is all you need).

Feel free to ask anything you like… about Xpro1, why my photos are so incredible 😉 … anything.

P.S. I’ll post my view at Panasonic Lumix GF1 in few days. That is a camera that no photographer can stay indifferent to. Believe me.

New portrait series. PAINTERS!!!

I’ve been off this blog for a long time and writing and posting again is injecting some strange energy. Main reason I was on stand by is that I became a father, so priorities in my life are drastically changed. Even though I didn’t post anything I was spending a lot of time thinking about this blog, what it became, what should be different, what it is…

I’m aware of fact that this blog is not much concerning a stuff you can read on it. A lot of photos so it could be called a photoblog too but I prefer just a blog, or web site, or sketch book… Also, I know that all those photos are scattered through posts and hard to find. In short – not presentable as a portfolio. So I decided to make it a blog/portfolio site. I’ll try to do it on fly so it is possible that sometimes these pages will be in weird condition but hopefully it will not last too long.

I started a new series of portraits calling it simple: “PAINTERS!!!” (don’t ask about exclamation marks – I just like it!).

In this series of portraits I will try to combine a portrait of a painter with a part of his/her work or with a whole opus. Initial thought was to combine a portrait with actual work (painting, drawing or a sculpture) but I ditched  the idea as a plain and dull and not creative.

Here, you will see a lot of photo manipulation – things that I haven’t did before in my work, at all. All the photographs combined in one portrait will be taken by me and complete visualization of a portrait will be produced by myself. Portraits you will see in this series are my own vision of someones work. For the artists with online portfolios I will not write much. Hopefully, I will publish one portrait per week (I think it is a reasonable goal since I’m still learning to act as and to be a parent 🙂 ).

First in a row is Dragan Indjic. As an inspiration, I used his grotesque portraits and tried to implement it without any changes on combined images except blending them together (3 photos).

Dragan Indjic

GFBL 011 poster

As well as past two years, I made a proposal for the promo poster of upcoming GitarFest Banja Luka – international clasical guitar festival. I made several options and not sure with which one to go. All three images have the energy I wanted but still can not decide which one is most suitable. I’m open to suggestions and opinions… so… shoot!!!

I created all these images in a pretty simple way and with no fancy studio stuff. Model was in a room with white walls and white ceiling. I used wide angle lens, natural window light from left, ISO was set to 800, shutter speed to 1/30 and aperture was f4. No strobes ’cause I wanted to capture a movement. Of course, these images are not straight from camera. Post production was simple. Rising up the exposure using a Brush tool in Lightroom and selecting areas that are white.   Model is “enhanced” by increasing contrast and clarity.

Daylight long exposure

For some time I’m trying to find a way to make some daylight long exposure shots. I know some photographers are using several ND filters attached together but good ND filters are not cheap and it is a little bit hard to get some here where I live. Another problem was what camera to use. Digital is standard today and results are visible right away but overheating a sensor is serious problem (digital sensors are generating heat when taking long exposure shots). Analog is much safer but again, if you make some wrong calculations, whole role of film could be ruined (and it is truly hard to find decent laboratory these days who will develop it the way you want it). And then recently, I was talking about it with my friend Borut and it came to me that I could try to use a welding glass as a truly strong ND filter.

First, I used my GF1 camera to determine the strength of a welding glass (light sensitivity). I calculated it is a 15 stop filter equivalent.

My intention was to use it on a Canon AE1 program camera with 28mm lens and to shoot some cityscapes  – 32 minutes exposures and more – so it would be possible to eliminate all the movement in a scene or to create some abstraction with very crowded places. My test roll was terrible. I realized that all the positions from where I was shooting were “contaminated” with reflections from different shiny objects (car windows, wrist watches on someones hand, sun glasses…). All the shots were overexposed but partially. Something like light stains. I dropped the idea ’cause I need something less complicated.

Then, I tried again with GF1 camera with a intention to make one long exposure and then to leave a camera to cool down. I intended to make 32 minutes exposure but very soon I find out that GF1 camera has a safety feature to limit the length of a exposure to 256 seconds.   I couldn’t find any info about the camera feature but I would like to believe it is it. 🙂 (Let me know if you know anything about it).

So, 256 sec exposure became my new obsession. It is long enough to eliminate or wipe out the movement out of frame but short enough to have time to make some corrections if needed without a “moment” lost. Next month I’ll be traveling to Vienna, Prague, Bratislava and Budapest and it will be a good opportunity to make interesting series (I hope).

Of course, welding glass is green so I was thinking black&white but once I saw a green result I felt in love with it. It has some apocalyptic note that gives it additional drama.

Look for yourself:

Springtime links

Last year, I tried to keep this kind of posts regular but I didn’t. Why? – I don’t know. There is always some stuff I would like to share with someone and here it is – the most interesting ones:

In case you don’t know about this – go check it out – very worth a look – 500photographers

Vladimir Vasilev made a good photo essay over Burn magazine – Life in concrete

Yanko Design is an interesting place – maybe someone will find some inspiration.

An at the end –  a short documentary made by young director from my home town – Prijedor – Jelena Topić.

A film about tradition and… judge for yourself!

Theater menu

A few more from Prijedor city theater rehearsal of their new play Milorad Pavić’s “Forever and a Day”, adapted and directed by Gradimir Gojer. Still, they are rehearsing it without costumes.

Forever and a Day

New project in Prijedor city theater. Milorad Pavić’s “Forever and a Day – a Theater menu”. Interesting, multi – layered piece directed and adapted by Sarajevo based director Gradimir Gojer.

Premiere of a play is planned for end of April, and again, as I did before, I’ll cover it until.

Few from last night rehearsal:


An interview and scenes from exhibition opening

Scenes from exhibition opening in August 2010 and interview for the Art Scene program of Center for creative industry.

Final City Portrait

This is my first group portrait in City Portraits series and in the same time last one in the same series. On the picture is DUU MANIFEST.

Once again, exhibition will take place in Prijedor city Gallery 96 on 30th of July 2010 and will last for a month. So, wherever you are, I believe you will find time to come to see it.

If you are interested in technical stuff about the photo, here it is:

This is not composite photo. It is one exposure of 61 sec. where I was running around all these people, lighting them with two small strobes from my hand (why two strobes? – I used them alternately because of the charging time).   F stop was 8 because I find it ideal for the power of my strobes but also good enough for some decent depth of field.

City portraits Exhibition

I’m proud to announce an exhibition of my series of City portraits that will take place on 30th of July in Prijedor city Gallery 96. Opening ceremony is planed for 20:30 h, so I’m inviting all of you (no matter if you are near or far away) to come. I would like to thank DUU”Manifest” (Association of urban artists) who helped me to organize it.

I’ll give you more information about all details in next few days. Day after the opening, I’ll present a simple workshop on basic photographic technique that is free to attend (basic photographing technique, composition, light, etc.)

S ponosom želim da objavim moju narednu izložbu serije “City portraits” koja će biti otvorena od 30. jula u gradu Prijedoru u Gallery 96. Izložba će biti otvorena mjesec dana a dan nakon otvaranja održaću radionicu na temu osnovnih tehnika fotografisanja, kompozicije, svjetla… Ulaz je slobodan i svi zainteresovani su dobrodošli.

DUU”Manifest” je zaslužan za organizaciju ove izložbe i ovim putem im se zahvaljujem.

Više detalja slijedi u narednim danima.