Portrait lighting setup

I my previous post I showed you a few portraits that I’m still working on and Moritz from Germany asked in his comment if I could share my lighting setups.

I decided to show a specific setup for every single one with a scheme and short explanation.

darko

This is three lights setup… a combination of two strobes and a neon light. Strobe on the right side had a small DIY grid attached and I used it to light up a face. A neon light from above was really dimmed so I set the exposure to match it and then I was adjusting my strobes. If I remember well, back strobe was on a half power and strobe with the grid was on 1/4 of a power.

 

riva

This one is really simple. One strobe with small grid attached and moved far away from subject so I could light up almost a complete figure but without unwanted spill over the scene.

 

sinisa

As well as the previous one, simple one light setup. It was hard to match a color balance between strobe and light bulbs so I had to correct it in post production. I used silver bounce umbrella as a light modifier. Light stand was some two meters away from subject and that is why light is a bit harder.

 

mirela

Also a one light setup. Strobe is hidden behind the door and my idea was to mimic a day light coming from the other room.

 

dean

Two strobes. Back one is bare bulb (without modifier) and front one had small grid attached. Front strobe was hidden behind supporting beam. This tunnel is a very narrow space so I had to be careful with the strobe power. Front one was on the lowest setting (1/16 of a power) and back one was 1/4 of a power.

 

zeljko

This is two lights setup but with combination of window light. Front one with a grid and back one bare bulb.

 

zorica

One light. I tried to boost a window light with it.

 

zlataThis one is also a one light setup and I think it’s self-explanatory. Cca 45 degrees angle.

 

I’m using two Vivitar285HV strobes. Those are simple manual strobes with decent power. Triggering it with  old but reliable Elinchrom Skyport radio triggers.

Here are some photos of my small grid that I made from a piece of cardboard and few black straws. 

_1150032
DIY grid

_1150035
_1150037
mounted on a Vivitar285HV

_1150041
hard fall off

On the last image, strobe was set some 1.5 meters from the wall. 

New approach to theater photography

For last two months I’ve been working with director from Prijedor city theater Darko Cvijetic on a new play called “Phoenician women, materials”. It is experimental kind of play at least for Prijedor’s theater. It is a concept, without predefined monologues or dialogues. Play about women, suffered from war (any war) and by its aftermaths. Five stories about women who have lost a brother, who were raped, who gave birth to a warrior, who  played for a soldiers, who are searching for a grave, who are waiting in vain…

“Phoenician women” by Euripides was taken just as a idea not as a background. But if you search just a little bit about Theban war and stories about king Oedipus you will find out that no war is different no matter if it is some mythical ancient war or some modern Bosnian, Syrian, Ukrainian or who knows which war.

Here in Bosnia, even 20 years after the war, people are still unsettled and restless. PTSD is in its full potential and no category is exempt. We are society of destroyed marriages, youth grown up without fathers, abandoned children. Violence on women and children is more present then ever. And many wounds are still unhealed… But nobody is taking care about it. It is like a taboo in a society burdened by national identity, criminal privatization, stale democracy and trash culture.

My series of five portraits “Theban women” started as a side project but became a significant part of a story and visualisation of a play itself.

This is my ode to women:

Mirela/Antigone
Tatjana/Mistress
Tatjana/Mistress
Phoenician women_Wife-7
Sabina/Wife
Jelena/Helene
Jelena/Helene
Zlata/Jocasta
Zlata/Jocasta

For a play itself, I made 5 photo essays or 5 photo stories trying to correspond with each story but not in an obvious way. My storytelling is not narrative and banal. My intention was not to show anything that actress will already do or say but to amplify emotions. It is hard to paraphrase the play. Hopefully, in a few days, there will be a full video of “Phoenician women, materials” online and I will be able  to post a link here so you could see for yourself.

Here are my photo-essays. Each video is minute and few seconds long.

All portraits and all images in photo essays are made with Fujifilm XPro1 camera and XF35mm f1.4 lens.