As I already did few times before, occasionally I’m publishing some work I’m doing for Prijedor city theater (I would like to link them but they don’t have a working web site… in 21st century). Sometimes it’s just making photos for archive kind of work and sometimes is something more (like posters, video…).
This time it was complete visual identity (except the scene itself). From main poster, photos for brochure, video material and projections that were used in the play to promo videos and trailers.
For last two months I’ve been working with director from Prijedor city theater Darko Cvijetic on a new play called “Phoenician women, materials”. It is experimental kind of play at least for Prijedor’s theater. It is a concept, without predefined monologues or dialogues. Play about women, suffered from war (any war) and by its aftermaths. Five stories about women who have lost a brother, who were raped, who gave birth to a warrior, who played for a soldiers, who are searching for a grave, who are waiting in vain…
“Phoenician women” by Euripides was taken just as a idea not as a background. But if you search just a little bit about Theban war and stories about king Oedipus you will find out that no war is different no matter if it is some mythical ancient war or some modern Bosnian, Syrian, Ukrainian or who knows which war.
Here in Bosnia, even 20 years after the war, people are still unsettled and restless. PTSD is in its full potential and no category is exempt. We are society of destroyed marriages, youth grown up without fathers, abandoned children. Violence on women and children is more present then ever. And many wounds are still unhealed… But nobody is taking care about it. It is like a taboo in a society burdened by national identity, criminal privatization, stale democracy and trash culture.
My series of five portraits “Theban women” started as a side project but became a significant part of a story and visualisation of a play itself.
This is my ode to women:
For a play itself, I made 5 photo essays or 5 photo stories trying to correspond with each story but not in an obvious way. My storytelling is not narrative and banal. My intention was not to show anything that actress will already do or say but to amplify emotions. It is hard to paraphrase the play. Hopefully, in a few days, there will be a full video of “Phoenician women, materials” online and I will be able to post a link here so you could see for yourself.
Here are my photo-essays. Each video is minute and few seconds long.
All portraits and all images in photo essays are made with Fujifilm XPro1 camera and XF35mm f1.4 lens.
New play by Prijedor city theater – Djelidba (not sure about translation, but I believe the most closest word would be “dividing”) by famous Bosnian writer Skender Kulenović, directed by young Marko Misirača.
“Quartet” by Ronald Harwood, directed by Darko Cvijetić, a new play by Prijedor Theater. All images are made on general rehearsal. Interesting thing to me was that this is a chamber type of play and audience will be present on the stage. It creates new way of seeing things, some kind of “3-dimensional” performance. Everybody will see it from different angle and perspective. It was challenging thing to do.
Concerning my absence from posting stuff here, it can be explained with my decision to get back to my guitar playing, my wife and I are expecting a baby, apartment reconstruction… Trying to cover several fronts at the same time can be an exhausting activity so I have to settle down my priorities. I’ll try to post regularly but with wider breaks in between. Maybe, in the future, I will post and some music of mine here with the photography I do.
Here are few more images from Prijedor city theater rehearsal of Danilo Kiš’s A Tomb for BD.
Premiere is scheduled for 14th of November (Saturday) so if you are around, come and see it. At premier night in theater lobby, there will be an exhibition of my photos that I made during preparation of this piece.