New play by Prijedor city theater – Djelidba (not sure about translation, but I believe the most closest word would be “dividing”) by famous Bosnian writer Skender Kulenović, directed by young Marko Misirača.
A few more from Prijedor city theater rehearsal of their new play Milorad Pavić’s “Forever and a Day”, adapted and directed by Gradimir Gojer. Still, they are rehearsing it without costumes.
New project in Prijedor city theater. Milorad Pavić’s “Forever and a Day – a Theater menu”. Interesting, multi – layered piece directed and adapted by Sarajevo based director Gradimir Gojer.
Premiere of a play is planned for end of April, and again, as I did before, I’ll cover it until.
Few from last night rehearsal:
Rade Stupar – an actor. Oldest active actor in Prijedor city theater (although – retired officially). He played over thirty different characters in his career in several hundreds of shows. Very calm and pleasant person as well as expressive actor.
I imagine this portrait as a symbol to theater and that is why to faces on both sides of a photo. Tragedy and comedy. I put two lights setup on both sides of a subject and without any light modifier to gain a dramatic face expression. Put my camera to synchronize flashes on first curtain and through 30 seconds exposure we did two “side” faces that I lit up with small led torch (6 seconds each). Photo is taken in pitch dark so I needed some orientation points for subject where to stand. I used even smaller led torches on the flour.
Here are few more images from Prijedor city theater rehearsal of Danilo Kiš’s A Tomb for BD.
Premiere is scheduled for 14th of November (Saturday) so if you are around, come and see it. At premier night in theater lobby, there will be an exhibition of my photos that I made during preparation of this piece.
Yesterday, Prijedor theatre have a premiere with Dostojevskis piece Crime and Punishment (Zločin i Kazna) and they commissioned me to shoot for them. Dramatization was made by famous Polish movie director Andrzej Wajda. Director of a Prijedor version was Gradimir Gojer.
I had an opportunity to work with local theater and to shoot for their archive. So, I did my preparation – read the script, went to rehearsals, did some test shoots on a pre premiere and finaly did my job. Sometimes , I had to improvise when guest show was on, and do my work on “place”, on premiere. So, sometime, on a premiere show, theater was full of newspaper reporters with small compact cameras – and I do understand them ’cause they were doing their job – but so much flash lights in dark theater was so annoying. Next day, a reportage in newspapers was pretty short and general with bunch of bad pictures and lot of cliche “nothing to say” statements.
I asked a theatre manager how come that he as a manager can allow such thing happened when he has so much pictures in his archives? And why didn’t he organize a press conference where he could give some samples to newspapers?
Was I wrong?